Anastasia Belina

Cambridge companion to operetta - Anastasia Belina

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• Those whose thoughts of musical theatre are dominated by the Broadway musical will find this book a revelation
• From the 1850s to the early 1930s
• When urban theatres sought to mount glamorous musical entertainment
• It was to operetta that they turned
• It was a form of musical theatre that crossed national borders with ease and was adored by audiences around the world
• This collection of essays by an array of international scholars examines the key figures in operetta in many different countries
• It offers a critical and historical study of the widespread production of operetta and of the enthusiasm with which it was welcomed
• Furthermore
• It challenges nationalistic views of music and approaches operetta as a cosmopolitan genre
• This Cambridge Companion contributes to a widening appreciation of the music of operetta and a deepening knowledge of the cultural importance of operetta around the world

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